A cold film look as a LUT and a PowerGrade. Shaped by the light of Guangzhou.
@chriss.boustedt and 3.2K+ use HAZE
Instant download. Commercial license included.
LUT (.cube): DaVinci Resolve (free or Studio), Premiere Pro, Final Cut Pro, After Effects and CapCut.
PowerGrade (.drx): DaVinci Resolve, built for a DaVinci Wide Gamut (DWG) pipeline. A PowerGrade is a ready-made grade you drag into Resolve and adjust node by node.
Resolve Studio: Film Grain and Halation in the PowerGrade need it. In the free version the rest of the grade works.
Made for log footage: Sony S-Log3, ARRI LogC, Panasonic V-Log, Canon Log 3, Fujifilm F-Log, Apple Log, DJI D-Log M, RED Log3G10, Blackmagic Film Gen 5 and Nikon N-Log.
Works on Mac and Windows. Any camera that shoots log works, from ARRI, RED and Sony to DJI and iPhone.
Your files download right after payment, and a link also arrives by email.
What you get
2 minutes to install, 30 seconds to apply
Commercial license included. Use it on any project: films, music videos, ads, client work. No royalties, no expiry.
One license per buyer, with lifetime access to every update.
Refunds. If a file is broken or does not work as described, we fix it, replace it or refund you. If you are a consumer in the European Union, you can also withdraw within 14 days of your order, without giving a reason. See Refunds & withdrawal.
A free LUT is one look for every shot. HAZE gives you cold film emulsion tones and a node tree, built for log footage and tested on real projects.

Free LUT
HAZE
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Most free LUTs push shadows toward flat cyan. HAZE keeps the cold, film-like tones without losing detail.
The same LUT on three shots gives three different looks. HAZE comes with its node tree, so matching shots takes minutes.
You drop in a free LUT to go faster, then spend the evening correcting it in the color wheels.
Reviews from people who use it, as written.
I came back to buy your second PowerGrade after being convinced by Amber. The art direction is consistent, you can feel the same visual signature. It's strong, thank you for this work.
Naim B.@naimebeserre
I tested it on footage from a Sony FX3, a GoPro Hero 12 and an iPhone 15 Pro. Results vary, as you'd expect, but the LUTs have a visual consistency that makes it easier to match footage from different cameras in the same edit. For me, that's the big difference. Very happy with the purchase.
Mateus N.@malongodori
I shoot a lot of branded content/ UGC and needed a consistent look that didn't feel corporate. These luts hit that balance well !! They hold up well across different lighting conditions which is important when you're working fast on set. Good investment for commercial work 🫶
Tina M.@tinaech
Very good quality on S-Log3. I would have liked even more explanations, I'm waiting for you on YouTube!
Théo L.@theogripee
Really cool aesthetic! Applied them on a campaign shoot and the client loved the final look. Will definitely be back for more products Hugo.
Oluwaseun A.@oleria.prd
Overall a very solid pack. The LUTs are really usable everywhere (camera + monitor). The one I use most is the most contrasty one! It has something cinematic that's quite rare.
Fabien D.@fab43ero
I'm a beginner in video editing and I was afraid of buying something too technical. The LUTs are easy to apply, the process is simple and there is enough information to understand how to use them. The visual result is very beautiful, especially for low-light videos. I recommend it to anyone starting out who wants a more professional result without much technical effort.
Beato S.@bobocazuca
I was looking for color profiles that fit the art direction I'm developing (dark, without falling into teal/orange), and that's exactly what I found with your pack. I regularly use rom1 as a starting point. It gives a beautiful direction, thanks again.
Julie H.@julia.hatrr
Life changing 🔥🔥
Etienne B.@barga49
Crazyyyy good and easy to apply!
Igor C.@krago.iro
I was a little skeptical buying luts because most packs I've tried before felt baaaad. This one is an actual visual language. My work getting better now, so overall a solid pack !
Aymeri P.@papia.sar
Really nice look Hugo, i used them on a fashion project and the skin tones held up well. Good purchase.
Elisa R.@romar_village
Works with your workflow
Drop it on your clip and the look is there.
Works with any camera log profile.
A standard LUT file, usable in any editor.
Creators who want a cold, filmic color look without hours of grading: music videos, commercials, documentaries, fashion. You do not need color theory. It gives its best result on log footage. It is not a repair tool: it will not fix a bad exposure, and it is one consistent look, not a different one for every clip.
Yes. The LUT works with any camera (ARRI, RED, Sony, DJI, iPhone) and in DaVinci Resolve, Premiere Pro, Final Cut Pro, After Effects and CapCut. Log footage shows the most potential. The PowerGrade is for DaVinci Resolve.
Not for the LUT, it works in any editor. For the PowerGrade, Studio gives you the full look, because Film Grain and Halation only run in Studio. In the free version the rest of the grade works.
Your files download right after payment and a link also arrives by email: the HAZE LUT (.cube) and the HAZE PowerGrade (.drx). Drop the .cube into your LUT folder, drag the .drx into the PowerGrade gallery, and apply it to your clips. Updates are free for life, and you can email me if you get stuck.
Yes. In the PowerGrade every node is labeled and open, so you can change any step. With the LUT, lower its intensity in your editor until it fits the shot.
Yes. A commercial license is included: use it in any project (films, music videos, ads, content). No royalties, no expiry.
Yes. If you are a consumer in the European Union, you can withdraw within 14 days of your order, without giving a reason. If a file is broken or does not work as described, we fix it, replace it or refund you. Details are on our Refunds & withdrawal page.
No. Hugo Durand is an independent studio. It is not affiliated with, endorsed by or sponsored by any camera, software or film manufacturer. These are original film emulation and 35 mm film print looks. Camera and software names are only used to say which footage a look is made for.