OBSIDIA
Film Emulation Pack
€99,99
Log footageWith the lookSony FX3, S-Log3, S-Gamut3.Cine
AMBER
A 35mm film print look in one node tree. Drop it on, refine it, trust it.
- A full DaVinci Resolve PowerGrade
- Every node labeled and editable
- Instant download, lifetime updates
€79,99
Free gift
HAZEAdded to your cart with the add-on
Free@chriss.boustedt and 3.2K+ use AMBER
Instant download. Commercial license included.
Compatibility
PowerGrade (.drx): DaVinci Resolve, built for a YRGB pipeline. A PowerGrade is a ready-made grade you drag into Resolve and adjust node by node.
Resolve Studio 21: Film Grain and Halation need it. In the free version the rest of the grade works, with simple alternatives for those two.
Premiere Pro or Final Cut Pro? AMBER runs in DaVinci Resolve only. The LUTs in OBSIDIA work in any editor.
Made for log footage: Sony S-Log3, ARRI LogC, Panasonic V-Log, Canon Log 3, Fujifilm F-Log, Apple Log, DJI D-Log M, RED Log3G10, Blackmagic Film Gen 5 and Nikon N-Log.
Works on Mac and Windows. Any camera that shoots log works, from ARRI, RED and Sony to DJI and iPhone.
Delivery
Your file downloads right after payment, and a link also arrives by email.
What you get
- The AMBER PowerGrade (.drx)
- Direct email support, my address is inside
- Free updates for life
Install and apply in 2 minutes
- Drag the .drx into your PowerGrade gallery
- Apply it to any clip
- Open the node tree to adjust each step
License Rights
Commercial license included. Use it on any project: films, music videos, ads, client work. No royalties, no expiry.
One license per buyer, with lifetime access to every update.
Refunds. If a file is broken or does not work as described, we fix it, replace it or refund you. If you are a consumer in the European Union, you can also withdraw within 14 days of your order, without giving a reason. See Refunds & withdrawal.
AMBER
€79,99 · 4.7
€79,99 · 4.7
Why not just use a free LUT?
A free LUT pushes every shot to the same heavy look. AMBER is a 35mm print look built as a node tree for log footage, so you can refine it.
Free LUT
AMBER
Drag to compare
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Colors hit the ceiling
Free LUTs crank saturation to look good on a thumbnail. Skies turn teal, lights turn orange and the depth disappears.
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A closed box you can't open
A LUT is one flat step. When highlights burn on a shot, there is nothing to adjust. AMBER is a full node tree, so you fix what each shot needs.
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You save an hour, then lose two
You drop in a free LUT to go faster, then spend the evening correcting it in the color wheels.
€79,99
4.71,942 reviews
- Instant download
- Commercial license included
- Free updates for life
You say it better than I do.
Reviews from people who use it, as written.
creators
average rating
reviews
I tested it on footage from a Sony FX3, a GoPro Hero 12 and an iPhone 15 Pro. Results vary, as you'd expect, but the LUTs have a visual consistency that makes it easier to match footage from different cameras in the same edit. For me, that's the big difference. Very happy with the purchase.
Translated from Portuguese
Mateus N.@malongodori
Branded content
I shoot a lot of branded content/ UGC and needed a consistent look that didn't feel corporate. These luts hit that balance well !! They hold up well across different lighting conditions which is important when you're working fast on set. Good investment for commercial work 🫶
Tina M.@tinaech
Very good quality on S-Log3. I would have liked even more explanations, I'm waiting for you on YouTube!
Translated from French
Théo L.@theogripee
Campaign shoot
Really cool aesthetic! Applied them on a campaign shoot and the client loved the final look. Will definitely be back for more products Hugo.
Oluwaseun A.@oleria.prd
Overall a very solid pack. The LUTs are really usable everywhere (camera + monitor). The one I use most is the most contrasty one! It has something cinematic that's quite rare.
Translated from French
Fabien D.@fab43ero
I'm a beginner in video editing and I was afraid of buying something too technical. The LUTs are easy to apply, the process is simple and there is enough information to understand how to use them. The visual result is very beautiful, especially for low-light videos. I recommend it to anyone starting out who wants a more professional result without much technical effort.
Translated from Portuguese
Beato S.@bobocazuca
I was looking for color profiles that fit the art direction I'm developing (dark, without falling into teal/orange), and that's exactly what I found with your pack. I regularly use rom1 as a starting point. It gives a beautiful direction, thanks again.
Translated from French
Julie H.@julia.hatrr
Life changing 🔥🔥
Etienne B.@barga49
Crazyyyy good and easy to apply!
Igor C.@krago.iro
I was a little skeptical buying luts because most packs I've tried before felt baaaad. This one is an actual visual language. My work getting better now, so overall a solid pack !
Aymeri P.@papia.sar
Fashion project
Really nice look Hugo, i used them on a fashion project and the skin tones held up well. Good purchase.
Elisa R.@romar_village
As usual, I was afraid of a generic preset, but it's actually exactly what I was looking for in my content creation. The result is really clean this time.
Translated from French
Clara V.@clarellefit
4.7/5
See every decision behind the look
A quick summary of my node tree: the main layers, not every single node. Watch the look build step by step, then open it, tweak it, make it yours.
Log
This is where you start: your original log image. Everything is built on top of it, so the base is key. You need a good, well-exposed log image.
Color space transform
Converts your log footage to DaVinci Wide Gamut, so every clip starts from the same working space.
Exposure and contrast
Sets the exposure and shapes the contrast before any color, so the look lands on a solid base.
Film emulation
This is where the film look is applied: the color and the character of the image.
Grain and halation
Adds the film grain and the soft glow around bright highlights to finish the image. Runs in Resolve Studio.
Works with your workflow
- Sony S-Log3
- ARRI LogC
- Panasonic V-Log
- Canon Log 3
- Fujifilm F-Log
- Apple Log
- DJI D-Log M
- RED Log3G10
- Blackmagic Film Gen 5
- Nikon N-Log
- DaVinci Wide Gamut
Fast
Drop it on your clip and the 35mm look is there.
One node tree
Open the PowerGrade and adjust every labeled step.
Production tested
Built in DaVinci Resolve Studio 21 and used on real productions.
Colorists and creators who grade in DaVinci Resolve and want a 35mm film print look they can open and adjust. You do not need color theory. It gives its best result on log footage. It is not a repair tool: it will not fix a bad exposure, and it is one consistent look, not a different one for every clip.
AMBER is a PowerGrade, so it runs in DaVinci Resolve. It works with any camera that shoots log (ARRI, RED, Sony, DJI, iPhone) once your footage is set up in the right color space. If you edit in Premiere Pro or Final Cut Pro, the LUTs in OBSIDIA work in any editor.
For the full look, yes: Film Grain and Halation only run in Studio. In the free version the rest of the grade works, with simple alternatives for those two.
Your file downloads right after payment and a link also arrives by email. Drag the .drx into the PowerGrade gallery, apply it to a clip, and open the node tree to adjust each step. Updates are free for life, and you can email me if you get stuck.
A LUT is one fixed transform. AMBER is the whole node tree: every step is labeled, so you can see why the look works and change any part of it to fit your shot.
Yes. A commercial license is included: use it in any project (films, music videos, ads, content). No royalties, no expiry.
Yes. If you are a consumer in the European Union, you can withdraw within 14 days of your order, without giving a reason. If a file is broken or does not work as described, we fix it, replace it or refund you. Details are on our Refunds & withdrawal page.
No. Hugo Durand is an independent studio. It is not affiliated with, endorsed by or sponsored by any camera, software or film manufacturer. These are original film emulation and 35 mm film print looks. Camera and software names are only used to say which footage a look is made for.
